When the album finally did drop on May 16, 1966, it debuted at No. They worried the sound wouldn’t connect with the young female fanbase the group had built since the early ’60s, and they rush released a greatest hits compilation shortly after Pet Sounds‘ arrival (incidentally, that comp, Best of The Beach Boys, peaked higher than Pet Sounds on the Billboard 200). The band’s label, Capitol Records, had reservations about the LP, too. Multi-instrumentalist and singer Mike Love even started calling Wilson “Dog Ears” because he could apparently hear sounds other humans could not. Wilson would obsess over sounds in the studio, spending a full week recording vocals on “Wouldn’t It Be Nice.” He tracked barking dogs, including his own pet pooches Banana and Louie, and experimented with other instrumental sounds like bicycle bells, Coca-Cola cans, and passing trains. But the change in musical direction from the Beach Boys’ tried-and-true formula, as well as Wilson’s increasing instability, ignited internal drama. In various Hollywood studios between January and April ’66, Wilson produced, composed, and recorded Pet Sounds with a small army of classically trained for-hire musicians, including session vets The Wrecking Crew. His efforts immediately hit roadblocks and detractors. But he promised them he would write some great songs while they were on the road. He was suffering a full mental breakdown. He returned to California and soon called a band meeting - he was going to quit the touring group, at least for the time being. In December ’64, the band boarded a flight to Houston to kick off another tour when Wilson collapsed and began sobbing. Jung Kook's 'Seven' Spends Second Week Atop Global Charts, 'Barbie' Songs Soarīut Wilson’s mental state was fragile when he set out to create the ultimate Teenage Symphony.
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